
Sýningin ETHNOCENTRISM / SPACES OF ALIENATION verður opnuð í Grafíksalnum fimmtudaginn 11. júlí kl 18:00.
Um er að ræða samsýningu listamannanna Alicja Panasiewicz, Adam Panasiewicz, Anna Krukowska og Tomasz Dobiszewski.
Sýningin mun standa yfir til 21. júlí og verður opið fimmtudaga til sunnudaga kl 14:00-17:00Öll hjartanlega velkomin.

Alicja Panasiewicz Visual artist, studied at the Academy of Fine Arts in Cracow, Poland. Since 1996 she has been working at the Faculty of Art at the University of the National Education Commission, Krakow, teaching biodesign, environmental art and visual structures. She leads workshops for students about visual perception and environmental art. She creates light objects and installations and has put focus on the phenomenon of light in space and the aesthetic value of both that creates the viewer’s impression about them.Organiser of the artists and designers fair „Nówka Sztuka” [brand new art], Juror of the Creative Scholarship of the City of Krakow, Poland. www.alicjapanasiewicz.net
Anna Krukowska – cultural animator, graduate of art history at the University of Wrocław, with seven years of experience working at the Wrocław Contemporary Museum, where she was responsible for creating a social programme – almost three hundred cultural events popularising contemporary art, in cooperation with creative circles, art institutions and educational institutions.Member of the 70/20 Symposium working group, (co-)coordinator of the “Poland-Ukraine” project, author of the programme “Closer to Art. MWW for Seniors” programme. She is interested in social-modernist architecture. In her master’s thesis, she attempted to read the history of Polish architecture (1947-50) through texts published in the magazine “Architektura”. She collaborated with Radio LUZ, where she hosted cultural programmes and her own programme, “It Begins in Wrocław”, devoted to Wrocław architecture and art after 1945. She is relationship-oriented in her work.
Adam Panasiewicz Visual artist, graduated Academy of Fine Arts in Cracow. Since 1994 he has been working at the Faculty of Art at the University of the National Education Commission, Krakow, as a professor. He works in the medium of digital graphics, drawing, and digital video. In his practice, he investigates the limits of perception of the moving image, focusing on the properties of reception in the context of the physiology of vision. He makes interactive installations that employ programming languages to expand the definition of work emerging in the process of participation of the user. https://issuu.com/adpan/docs/input_output1
Tomasz Dobiszewski Visual artist, he graduated Academy of Fine Arts in Poznań, he obtained his diploma in the Intermedia Photography Studio under the supervision of Krzysztof J. Baranowski and Stefan Wojnecki, phD at the Eugeniusz Geppert Academy of Fine Arts in Wrocław. Since 2019 he is an assistant at the Media Art Department. In 2008-2010 he was associated with the FotoMedium-Art Gallery in Krakow. He collaborated with the groups FUgg, laubyn, 6_3 and the Musical Theatre Capitol in Wrocław. He received, among others, Jerzy Grotowski Scholarship for achievements in the field of art (2017), Scholarship of the Minister of Culture and National Heritage (2012). The artist’s works belong to public collections in Poland and abroad, as well as to private collections. He formulates an artistic statement using photography, video, animation, multimedia and site-specific installations, mail art or art books. In works, which are evidence of the processes of artistic taming of the media, he does not stop at purely conceptual cognitive strategies, but enriches the discourse with non-intellectual elements, such as sensual impressions and intuitive cognition. He experiments with a new tools not only to realize works with a result predictable for that tool, but tries to shift the emphasis to the periphery of a given method and use the inherent, although not basic, properties of devices and technologies, often more interesting and not obvious. Recently he has been focusing on visualizing phenomena that are impossible to perceive, which not only broadens our knowledge about the surrounding world, but also deepens our imagination. www.dobiszewski.com
